Wednesday, 25 November 2009
Classic Rock Track of the Day is...The Underfall Yard
Just to set the seal on what has been a Very Good Day for BBT, the title track of our new album has been chosen as track of the day on the Classic Rock website.
Classic Rock Presents Prog
Last Train, one of the songs from The Underfall Yard is featured on the covermount CD of the new issue of Classic Rock Presents Prog which is out today.
Many thanks to Jim Green who also gave us a mention on the Classic Prog letters' page.
David was interviewed on Total Rock radio at lunchtime today and they also played Last Train and Master James. If I can find a listen again feature, I'll post a link.
Many thanks to Jim Green who also gave us a mention on the Classic Prog letters' page.
David was interviewed on Total Rock radio at lunchtime today and they also played Last Train and Master James. If I can find a listen again feature, I'll post a link.
Tuesday, 24 November 2009
Big Big Train on Total Rock Radio
Classic Rock Presents Prog Editor Jerry Ewing and writer Philip Wilding will be hosting a three hour prog show on Total Rock Radio tomorrow (Wednesday 25th November) from 12 noon.
David will be interviewed on the show at around 12.25.
Thursday, 19 November 2009
Saw Mew
Saw Mew the other day. Decided it was time for Eleanor, my 15 year-old daughter, to experience the beer-stained environment of a student-union gig for the first time, so we headed off to the Bristol concert.
I've often wondered what it would be like to have seen Genesis in '71 or '72, as they delivered their extraordinary shows to committed audiences that were small enough to ensure you could get close to the action, and yet also big enough to feel that you were part of something that had genuine significance.
I think I understand what it would have been like now.
As for Ellie, she turned to me at the end and said that it was, quite simply, the best night of her life.
I've often wondered what it would be like to have seen Genesis in '71 or '72, as they delivered their extraordinary shows to committed audiences that were small enough to ensure you could get close to the action, and yet also big enough to feel that you were part of something that had genuine significance.
I think I understand what it would have been like now.
As for Ellie, she turned to me at the end and said that it was, quite simply, the best night of her life.
Thursday, 12 November 2009
Jem is back
It seems that our good friend Jem Godfrey has returned to blogging. Jem's blog was a major influence on the development of this one. It's great to have him back.
Wednesday, 28 October 2009
Big Big Train on The Rogues' Gallery
A number of songs from the new album will be played on Frans Keylard's The Rogues' Gallery show on The Dividing Line. The show will be broadcast at 3am GMT this Friday. It's then made available as a downloadable podcast in good quality audio. I think Frans will also be playing the new Transatlantic album on the same show.
Update: The Podcast is online now.
Update: The Podcast is online now.
Wednesday, 30 September 2009
The Train now arriving...
The Underfall Yard will be released on 15th December. From today until the release date, the album can be pre-ordered here for an introductory price of just £8, which includes worldwide shipping. It will not be available from any other source before the 15th December. Pre-orders will be shipped so that the CD arrives on, or slightly before, the release date.
The Underfall Yard is the first Big Big Train album to feature our new singer David Longdon. Across the 60 minutes of the album there are also powerful performances from Nick D’Virgilio, Francis Dunnery, Jem Godfrey and Dave Gregory.
We have made all 23 minutes of the title track available for free download in high quality audio here.* Even if you don't want to buy any Big Big Train music at the moment, please download the track and listen to what we think is a significant contribution to progressive music.
If you are new to Big Big Train, you can read about us here. If you want to buy a CD but are not sure which one(s) to splash out on, a beginner's guide to our CD's is here. Our shop, where you can buy CD's securely, is here. On the shop page, there is a music player where another song from The Underfall yard can be heard.
The Underfall Yard is a collection of songs which tell stories, some old and some new. The listener will travel through the tunnels made by the great Victorian engineers in England’s chalkhills, will hear the mournful laments of coastal villages lost to the sea on storm-filled nights, will meet the grand architect of castles, and hear the tale of the man who saved a great cathedral from collapse by diving under its flooded foundations.
We hope you enjoy our new music.
Greg Spawton
* Update - I've had a number of e-mails asking who plays what on the download track. The credits (and lyrics) can be found on the site, but I'll put them on here as well for ease of reference:
The Underfall Yard by Big Big Train
Performed by:
Nick D'Virgilio Drums
Dave Desmond Trombone
Francis Dunnery Guitar solo, guitar
Rich Evans Cornet
Jon Foyle Cello
Jem Godfrey Synthesizer solos
Dave Gregory Guitar solos, guitars, electric sitar
David Longdon Vocals, flute, glockenspiel
Andy Poole Bass, keyboards
Greg Spawton Guitars, keyboards, bass
Nick Stones French horn
Jon Truscott Tuba
To answer some of the specific questions I've had, Francis Dunnery's main parts are at 4.37 to 6.25, Jem Godfrey's at 6.26 to 7.20 and 19.18 to 20.10, and Dave Gregory's at 13.10 to 14.45 and 21.10 to 22.15. Dave Gregory also plays electric sitar in a number of places in the song.
Thursday, 24 September 2009
Sunday, 20 September 2009
Sheriff of Wimborne
At the risk of turning this blog into Hello magazine, I am going to mention that I just bumped into Keith Allen in Wimborne. Only two nights ago, me and the kids watched him get blown up in the last episode of Robin Hood.
I remember him being a very edgy character in the Comic Strip series, but he seemed like a nice bloke.
I can't help thinking, though, that my girlfriend would have much rather we'd bumped into Guy of Wimborne (Richard Armitage - also photographed above) rather than the Sheriff.
Spitfire overhead
A couple of weeks ago we had a short display from the Vulcan; yesterday we had a Spitfire appear low overhead. I frantically summoned my 13 year old son who is going through an Airfix phase at the moment (that morning he'd bought himself a P51D Mustang to build) and we had the pleasure of a few moments together looking up at the sky, hands shading our eyes, whilst the Spitfire threw us a few of its shapes, did a quick victory roll and then headed off to the east (to the Goodwood Revival I assume?)
Saturday, 12 September 2009
Mixing
Just a quick update from the studio, where we are now well into the mixing stage.
Rob has completed initial mixes of Master James, Winchester Diver and Last Train. This evening we aim to finish the first mix of The Underfall Yard. We've got tomorrow off to do some listening to the initial mixes and then we have three more days next week for mixing Victorian Brickwork and Evening Star (plus any snagging.)
The Underfall Yard has proven to be quite a beast to tame - we're using 142 tracks, which is 100 more than the meaning of life.
Rob has completed initial mixes of Master James, Winchester Diver and Last Train. This evening we aim to finish the first mix of The Underfall Yard. We've got tomorrow off to do some listening to the initial mixes and then we have three more days next week for mixing Victorian Brickwork and Evening Star (plus any snagging.)
The Underfall Yard has proven to be quite a beast to tame - we're using 142 tracks, which is 100 more than the meaning of life.
Wednesday, 26 August 2009
An autumn of epic tracks
No sooner do Porcupine Tree announce a 55 minute epic on their new album (reviewed here by King Crimson biographer Sid Smith), then Transatlantic go longer with the announcement of a 77 minute track on their forthcoming release.
Our own little contribution to an autumn of epic songs comes in at just over 22 minutes.
However, despite the relatively piffling length of our tune and the undoubted pedigree of our fellow prog bands, I'm confident that our song will make some waves.
There is not long to wait now before it gets a hearing. Whilst The Underfall Yard CD is due on 15th December, all 22 minutes of the title track will be available as a free download from 30th September as a taster for the album.
More news soon.
Our own little contribution to an autumn of epic songs comes in at just over 22 minutes.
However, despite the relatively piffling length of our tune and the undoubted pedigree of our fellow prog bands, I'm confident that our song will make some waves.
There is not long to wait now before it gets a hearing. Whilst The Underfall Yard CD is due on 15th December, all 22 minutes of the title track will be available as a free download from 30th September as a taster for the album.
More news soon.
Sunday, 23 August 2009
Vulcan overhead

You may have noticed from my endless twittering yesterday that I was on the beach enjoying the Bournemouth Air Festival. I am pleased to say that the Vulcan made just as deep an impression on my 13 year-old son as it did on me when I was a child back in the 70's. It's the combination of thunderous noise, the extraordinary beauty of the design and the vast size that does the trick.
Today, I've been sitting in my back garden and I can hear that the Vulcan is back. It's about 3 miles away, above the seafront but is still filling the sky with thunder.
In the early 1990's, they used to have an airshow at Hurn airport, just up the road from me, and I remember a visit from the Vulcan back then. It did some aerobatics a few hundred feet above my house. Every window shook in its frame.
Almost as loud today and yesterday was the Typhoon. What a class act that is. It appeared seemingly out of nowhere, rearing up above the pier. After a ten minute display, it made an awesome exit - vertically upwards at speed, where it disappeared into a bank of cloud.
Sunday, 16 August 2009
Dave Gregory with Big Big Train

Dave Gregory: not lazy at all (photo from Guitargonauts)
I am pleased to announce another very special guest joining Big Big Train on The Underfall Yard. Dave Gregory is the guitarist and keyboard player for one of my favourite bands, the glorious XTC. His astounding discography includes appearances with Peter Gabriel and Porcupine Tree.
Dave's guitar, sitar and mellotron playing has become a major feature of The Underfall Yard and I can't wait for you to hear the performances that he's turned in for Big Big Train. They are, quite frankly, brilliant.
If we do decide to return to live performance in the next couple of years, I very much hope that Dave will be joining us.
More news on The Underfall Yard soon.
Friday, 14 August 2009
Jem Godfrey and Francis Dunnery with Big Big Train
Jem Godfrey has these kind words to say on the Frost* forum:
'Happy to say, I've just contributed a couple of keyboard solos to the excellent sounding new album by Big Big Train. The track is called The Underfall Yard which is also the title track and is nipping at the toes of 23+ minutes long. I got a chance to really cut loose in a way I don't think I've done before, I used pretty much every controller available on the V-Synth using a sound I programmed especially and I'm really pleased with the end results. It's not often I get to have a good old thrash in 11/8! The track also features a rather immense solo from that Cumbrian scamp Francis Dunnery, so although we never met, we do end up sharing a song together which is rather nice.
BBT's new singer is a bit of a revelation too and the whole thing is shaping up to be, IMO, their best work to date. I can't wait to hear the whole thing. BBT have a wonderful Englishness about them and they do things very much their own way which I deeply admire. They're prog's best kept secret and now I can count myself as a contributor to their history. I'm dead proud of that.'
Having had the opportunity to hear Jem's and Francis' performances at close hand, I am pleased to report that they are, indeed, immense and add a huge amount to The Underfall Yard.
More news on another very special guest at the weekend
'Happy to say, I've just contributed a couple of keyboard solos to the excellent sounding new album by Big Big Train. The track is called The Underfall Yard which is also the title track and is nipping at the toes of 23+ minutes long. I got a chance to really cut loose in a way I don't think I've done before, I used pretty much every controller available on the V-Synth using a sound I programmed especially and I'm really pleased with the end results. It's not often I get to have a good old thrash in 11/8! The track also features a rather immense solo from that Cumbrian scamp Francis Dunnery, so although we never met, we do end up sharing a song together which is rather nice.
BBT's new singer is a bit of a revelation too and the whole thing is shaping up to be, IMO, their best work to date. I can't wait to hear the whole thing. BBT have a wonderful Englishness about them and they do things very much their own way which I deeply admire. They're prog's best kept secret and now I can count myself as a contributor to their history. I'm dead proud of that.'
Having had the opportunity to hear Jem's and Francis' performances at close hand, I am pleased to report that they are, indeed, immense and add a huge amount to The Underfall Yard.
More news on another very special guest at the weekend
Wednesday, 5 August 2009
Rough mix of The Underfall Yard
Before we go into Aubitt for mixing, we like to put a rough mix of the album together as a final check.
I've just had a listen to Andy's mix and it's proven to be illuminating. It's all sounding rather splendid (although I would say that, wouldn't I) but it shows we have a few parts to replace or improve including some cello, some dodgy guitar playing that's been there since the original demo and one or two other bits and bobs.
The most interesting thing for me is that the track order, which has been set in stone for some time, has turned out to be wrong. The album starts with an instrumental track and I always intended this would be followed by Victorian Brickwork, one of the two epic songs on the CD. However, Victorian Brickwork has a gentle start and it just feels like the album drags a bit before it gets going. So I'm moving Master James of St. George up the order to track number two.
Hopefully, that will sort the pacing out.
I've just had a listen to Andy's mix and it's proven to be illuminating. It's all sounding rather splendid (although I would say that, wouldn't I) but it shows we have a few parts to replace or improve including some cello, some dodgy guitar playing that's been there since the original demo and one or two other bits and bobs.
The most interesting thing for me is that the track order, which has been set in stone for some time, has turned out to be wrong. The album starts with an instrumental track and I always intended this would be followed by Victorian Brickwork, one of the two epic songs on the CD. However, Victorian Brickwork has a gentle start and it just feels like the album drags a bit before it gets going. So I'm moving Master James of St. George up the order to track number two.
Hopefully, that will sort the pacing out.
Thursday, 30 July 2009
Haken
There are some great new releases coming in the next few months - new Mew album, new Prefab Sprout , the first live Genesis box set and, of course, our own little album.
Another CD I'm really looking forward to is the first release by Haken. This is a band I've only just become aware of; they had a track on the sampler CD on Classic Prog 2 which sounded slightly otherwordly, like something PFM might have recorded in their heyday. So, I sought out their only currently available release, a demo featuring 6 songs from 2007 and 2008.
It's a very strong debut. The quality is limited slightly by what I imagine was a restricted recording budget, but like all great demo's, it shows a band reaching for something that they don't quite have the resources to achieve.
When they get there, and most surely they will, Haken will be a force to be reckoned with.
Dream Theater are Haken's self-confessed heroes, but their music shows a wide-ranging set of influences. They are heavy at times, but very comfortable in the quieter sections (many heavy bands seem, to me, to play quiet bits just to make the heavy bits sound louder.) Haken do both piano and forte very well.
They also are capable of writing uncommon, haunting, melody lines and I love the structure of their songs - they are good at getting back, in interesting ways, to choruses or themes, even if they've been on a lengthy instrumental excursion.
Haken is a band to watch out for.
Another CD I'm really looking forward to is the first release by Haken. This is a band I've only just become aware of; they had a track on the sampler CD on Classic Prog 2 which sounded slightly otherwordly, like something PFM might have recorded in their heyday. So, I sought out their only currently available release, a demo featuring 6 songs from 2007 and 2008.
It's a very strong debut. The quality is limited slightly by what I imagine was a restricted recording budget, but like all great demo's, it shows a band reaching for something that they don't quite have the resources to achieve.
When they get there, and most surely they will, Haken will be a force to be reckoned with.
Dream Theater are Haken's self-confessed heroes, but their music shows a wide-ranging set of influences. They are heavy at times, but very comfortable in the quieter sections (many heavy bands seem, to me, to play quiet bits just to make the heavy bits sound louder.) Haken do both piano and forte very well.
They also are capable of writing uncommon, haunting, melody lines and I love the structure of their songs - they are good at getting back, in interesting ways, to choruses or themes, even if they've been on a lengthy instrumental excursion.
Haken is a band to watch out for.
Saturday, 25 July 2009
The view from the garden gate
Just back from a holiday on the North Yorkshire Moors.
Me being into history, we stayed at an English Heritage cottage at Rievaulx Abbey. This is a place which is both difficult to spell correctly, and stunningly beautiful.
This is a general view:

And this was the view from the garden gate of the cottage:

One of the best things was that we had the run of the site after it closed to visitors each day, which gave us the chance to enjoy sunset walks and, later on, ghostly torchlit wanderings.
Rievaulx is an utterly fabulous place. Speaking to the staff and keepers there, they were all transfixed by it. It is spellbinding.
Me being into history, we stayed at an English Heritage cottage at Rievaulx Abbey. This is a place which is both difficult to spell correctly, and stunningly beautiful.
This is a general view:
And this was the view from the garden gate of the cottage:
One of the best things was that we had the run of the site after it closed to visitors each day, which gave us the chance to enjoy sunset walks and, later on, ghostly torchlit wanderings.
Rievaulx is an utterly fabulous place. Speaking to the staff and keepers there, they were all transfixed by it. It is spellbinding.
Friday, 17 July 2009
Close of play
'tis done.
We now have a bit of time for editing, sound effects etc before mixing in September.
We now have a bit of time for editing, sound effects etc before mixing in September.
Now onto the 'b' sides
The album recording is completed.
We are going to spend the rest of the day on two non-album tracks, Fat Billy Shouts Mine and a cover of Master of Time, an Anthony Phillips track which was intended to be on The Geese and the Ghost but only ever got as far as a demo. It's a cracking little song.
We are going to spend the rest of the day on two non-album tracks, Fat Billy Shouts Mine and a cover of Master of Time, an Anthony Phillips track which was intended to be on The Geese and the Ghost but only ever got as far as a demo. It's a cracking little song.
Morning Star
Early start today. Finished off Master James and now recording the flute solo on Evening Star.
Thursday, 16 July 2009
We laid some bricks today...
Warning, this album may blow your girlfriend's tits off
Or so says Andy.
We're moving onto Victorian Brickwork now, one of two longer pieces on the album
We're hoping to cause some spontaneous tit detonation with this one.
We're moving onto Victorian Brickwork now, one of two longer pieces on the album
We're hoping to cause some spontaneous tit detonation with this one.
Here we go...
The final recording session for The Underfall Yard is underway. We're starting today with Evening Star, a short instrumental which is intended to set the scene for the rest of the album. All sounding splendid so far.
More later.
More later.
Thursday, 9 July 2009
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